Glory Days Presents!More Live Music in Gainesville & Southeast USA
Five Eight, Pinky Doodle Poodle

Glory Days Presents!

Five Eight

Pinky Doodle Poodle

Helixglow

Sat, April 13, 2019

Doors: 8:00 pm / Show: 9:00 pm

$8.00 - $10.00

SHOW DETAILS
• 18 or over, unless accompanied by parent/guardian.
• NO SMOKING inside the venue.
• Smoking allowed outside in the Beer Garden!
• $3 under 21 fee charged at the door

Five Eight
Five Eight
For the devout, Saint Jude holds a special place in the canon of those deemed extraordinary in their likeness to the divine. The patron saint of lost causes is something of an extreme case -- a symbol of salvation and redemption in spite of desperation. Since his canonization, Saint Jude has exemplified that impossibility and defeat are fluid constructs.

Rock bands, perhaps often for good reasons, are rarely associated with sainthood. Yet Songs for St. Jude, the first double-album from Athens, Georgia’s Five Eight is fitting -- even if it is a read as a punchline to a career marred by music business implosions, recoveries from substance abuse, and nervous breakdowns. For some, the band’s career might sound like a garden-variety redemption story, but to those who have followed Five Eight for the past three decades, their new release offers nothing if not a glimmer of hope in contrast to that not-so-subtle streak of fatalism found on 2011’s Your God Is Dead To Me Now.

On Songs for St. Jude, frontman Mike Mantione’s songwriting swings between somber swoons a la Vic Chesnutt (illustrated by the album-opener “Smoke” and the dynamism of “Palace Estates”) to pop rock pomp (found on “Kids” and the mesmerizing “Werner Herzog”). Despite the wide range of sonic territory explored therein, the common thread throughout these seventeen songs is the notion that salvation is just ahead, that holiness is at once out of one’s control and, nevertheless, perfectly attainable.

While the band may have somehow evaded broad commercial success despite timeless songs and relentless touring, their critical acclaim is in no short supply. During the band’s 2017 appearance at South by Southwest in Austin, Robin Hilton of NPR wrote that the band “still thrash harder than most twentysomethings could ever hope to,” a statement that minces no words on the band’s indomitable spirit.

Though personnel shifts have occurred since the band’s inception in the late 1980s, nothing short of communion is experienced between Mantione (vocals, guitar), Dan Horowitz (bass), Sean Dunn (guitar), and Patrick Ferguson (drums) when the band performs their extensive catalog and selections from Songs for St. Jude live. The band’s classic lineup sounds as refined and focused as ever, having shared the stage with Drivin’ N Cryin’ and Drive-By Truckers as well as other seraphic songwriters of the American South.

There are, of course, too many variables at work to explain why Songs for St. Jude makes such a lasting impression upon first listen. Produced by fellow Athenian Mike Albanese (Maserati, Cinemechanica, Bit Brigade), the double album was recorded over a period in which Ferguson began performing with Mike Mills of R.E.M.’s concerto project while Dunn received acclaim for this captivating documentary photography, a testament to the band’s insatiable desire to out-do themselves.

In addition to the core band’s astonishing performances captured on record, Songs for St. Jude also includes contributions from some of Athens music’s most noted alumni. From Patterson Hood of Drive-By Truckers’ guest vocals on "The Flood" (which focuses on Dunn’s hometown of New Orleans following the devastation brought about by Hurricane Katrina) and “Song for Jim Gordon” to lyric-legend Jack Logan’s featured "Iron on Sun." Athenian songstress Thayer Sarrano also offers shimmering vocal contributions.

In addition to Songs for St. Jude, the band's trials and tribulations are also being captured by Atlanta filmmaker Marc Pilvinsky, who is currently compiling footage for a feature-length documentary that is scheduled to premiere at film festivals around the country in 2018.
Pinky Doodle Poodle
Pinky Doodle Poodle
High energy Rock Band from Tokyo Japan.

In 2008, PDP has been started. PDP received many offers of gigs or interviews from the overseas fan who heard PDP music or gig by YouTube etc. In the following year, PDP did 4 times European tour (GB, FR, BE, ES, IT, LU).

After release of two mini-albums in Europe and Japan, PDP got offer from Mr.Robby Takac (GOO GOO DOLLS) who owns his own label GOOD CHARAMEL RECORDS in U.S.A. And then, the first full album was recorded at GCR audio in Buffalo NY(produced by PDP and Robby Takac).

In April of 2014, global debut album “PINKY DOODLE POODLE” has been released.

After that, PDP released 3 full length albums and 1 EP.
Performed at the biggest Japanese festival in U.S. and the greatest festival in Myanmar etc.
Touring in U.S.A. several times

The cover of the MC5’s song “Kick Out The Jams” from 2nd album “Inside is Out” got a good reputation, its music video was shared by MC5’s guitarist Wayne Kramer, drummerDennis “Machine gun” Thompson and Nights with Alice Cooper, too.
In 2018, PDP moved thire base from Tokyo Japan to Athens, GA in U.S.

In 2019, PDP is continuing the live touring energetically in U.S.!!
Helixglow
Helixglow
Travis Tooke (For Squirrels, Subrosa) thought of the poetic pairing of the 2 words helix and glow, to create the mixed-meaning associated with combining the different definitions of both words as one word/one meaning or message: Helixglow...

Moreover, Helixglow will represent the main name or title or pseudonym of songs, songwritings, lyrics, music, art, band(s), merchandise, and all etc. related to Travis Tooke.

"New music" will be available to the public for free and for money under the pseudonym: Helixglow

The thought of "helix glow, or helixglow", was first conceived by Travis as a lyric for a song he wrote sometime in the year 1996 ("Antigen Fiend").

Travis Tooke currently resides in Gainesville, Florida, and has a new band (of course) titled under the same pseudonym: Helixglow