Glory Days Presents!
BASH & POP
Mon, September 25, 2017
Doors: 7:00 pm / Show: 8:00 pmHigh Dive
$15.00 - $18.00
• 18 or over, unless accompanied by parent/guardian.
• NO SMOKING inside the venue.
• Smoking allowed outside in the Beer Garden!
• $3 under 21 fee charged at the door
Never one to hog the spotlight, the only logical thing to do at this point was to reanimate ‘Bash & Pop’, the band he started immediately following The Replacements first split in 1991. Fat Possum Records quickly signed the band and will be releasing its unknowingly-long-awaited sophomore album in early 2017.
To commemorate the resurrection of Bash & Pop, Rhino is reissuing the band's 1993 seminal debut album 'Friday Night Is Killing Me' on LP for the first time in January 2017 - exact date coming soon.
Fans can now pre-order the reissue, as well as the forthcoming new album via a Pledge Music campaign. They also have the chance to procure one-of-a-kind memorabilia items (plaid suits, bass guitars, etc), as well as cool opportunities with Tommy and the band (he’ll officiate your wedding, the band will come play a concert in your basement, etc) and they can even be in the audience at Bash & Pop’s first show since the late 1900’s at the legendary 7th St Entry in Tommy’s hometown of Minneapolis.
Soon after the self-titled LP, Chad Darby (Samiam, Hawks And Doves, Averkiou) came on board as permanent bass player, bringing a musical breadth running from Motown to hardcore. A few months later, the missing piece was unearthed in Bobby Brown, a steadfast drummer who gets behind the band and is always pushing forward. This line up was locked in for two years when the band’s sophomore album was recorded and released in 2012. Canyons delivers wall-to-wall rockers, soaring melodic guitar leads, and a rock solid rhythm section. The record showcased a refined focus, closing in on an overall rock directness (or a direct rockness) that would continue to progress towards LP3. Wollard himself would describe the record as “Southern punks playing rock and roll!”
The next three years have shown the band tightening and honing this streamlined direction. Simply put, No Anchor is the favorite Hot Water Music record that you’ve never heard before. Ship Thieves now being his primary songwriting outlet, Wollard was free to go all in on No Anchor with Chad, Addison, and Bobby each contributing fantastic elements to the record. There was a heavy emphasis put on space and the songs benefit from a large, organic sound devoid of over processing and ultra compression. These songs breathe, they are alive, and they never let up from the moment the needle hits the groove. They are quite simply the very best songs Ship Thieves have ever written.